Gauging if you are a CREATIVE SUCCESS
Are you trying to decide whether or not to continue a
creative endeavor
on the basis of whether you’ve been “successful” or not?
Does engaging in the endeavor itself, feel transparent to
you? (like breathing)
example: I love to
cook and when I get in the kitchen and start whipping together a
grouping of fresh ingredients (some from my garden) I
quickly become immersed (in a most positive way). The finished product, whether adored or
merely tolerated does not matter. The
cooking itself is reward enough.
Are you trying to sell your creative result and do you judge
its success on $ales figures?
Many artists never even attempt to sell their art because
their artistic creation is intrinsically rewarding or it hurts too much to
contemplate the rejection(s) of prospective buyers. This question really boils down to how
“identified” you are with your artistic work.
If you are trying to get personal approval through your work, you are
likely to get more hurt and pull back when being rejected. If you can separate from your work and let it
navigate its own way, then you are more likely to have the patience to see
through a work to its fruition.
Usually publishing houses simply choose what they believe
has the greatest chance to sell effectively period. (staying in business is job #1)
Can you earn the bulk of your life survival expenses without
creative revenue?
You’ve probably heard, “Don’t give up your day job!” enough
to know that very few creative people make full-time salaries from their
work. Most artists build up their
following over several years, if not decades.
Staying humble, soliciting and listening objectively to others feedback,
while continuing to produce and submit are the marks of mature artists who gradually
earn a living through their creative work.
Build long-term relationships with successful creative arts
media people.
When you finally breakthrough and get that first work
accepted and produced, nourish the relationships with the key people that made
that endeavor a success. It is much
easier to replicate a successful production with channels that are proven. Example: Even great actresses like Meryl
Streep had to know how to be as well liked by agents, producers and
distributors as her large audience following.
Set and evaluate realistic goals
Make a five-year chart,
Start with modest goals and a gradual increase. At quarterly intervals mark special
recognition activities for the people who help make your work a
commercial success.
Thank you letters, in-person visits, gifts, postcards, public
acknowledgements, whatever touches the hearts and keeps your hard-working fans
continuing to invest in your (hopefully mutual) success.
Are you vulnerable and transparent about your artistic work
and process?
People inherently wish to help others. If you are open and vulnerable about your
work, you are way more likely to engage the marathon-supporter organ of
teammates, their hearts. Be up front and
truthful about what you wish in specific, time-detailed terms.
“I would my short story to be published in a major magazine,
like Harpers by the end of 2015.” “I
need help getting in front of the publisher at Harpers, can you help me?”
Build a small cadre of acquaintances, who give you reliable
feedback on your work
Don’t subject your friends and family to being your sole art
reviewers. Patiently recruit others who
find the occasional review refreshing and desirable. When you reach a critical mass, say 9, of
people who give you definitive approval and say things like, “this is as good
as anything I’ve seen in our Metropolitan Museum.”, then move forward full
speed ahead.
Make your creative time sancrosanct and well-known to
everyone you know
If everyone knows that from 7-9am you are in your studio,
making “xyz”, you will not be disturbed, and you will have every opportunity to
fulfill your daily creative productivity quota (set this in advance!).
Set non-negotiable daily rewards and practice them and your
artwork like clockwork
Every day of the year I meditate, do yoga and get a walk
outside – the three take about 90 minutes out of my day and they make my life a
work of art, regardless of whatever else happens.
Do you find you are more prone to acceptance, happiness and
patience when you are practicing your artwork, your daily rewards and
maintaining good boundaries in all your obligations?
Restlessness and soft addictions (procrastination,
food-binging, etc.) are the signs of a moldering integrity. When you are fully engaged with both your art
and your life, you are a happier human being.
Are you regularly surprised by how your work touches others?
Years ago I met a woman in a hair salon whose husband had
just died. I read her a poem from my
book. She bought a copy and said, “I
will read that poem daily so my husband’s soul will rest easy.
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